亞洲🌙 亞洲🌙
遊客
海报背景
荣耀六十年海报图片

荣耀六十年

备注 :HD中字
更新 :2025-07-07 19:54:22
1938·英国·剧情 剧情片 电影 ·英语·
立即播放
收藏
5.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
630次评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
扫描观看

扫描一扫app播放

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
展开
无模块

资源列表

排序

相关明星

相关影片

更多
寻常女子的失常狂想
玛丽莎·安妮塔,迪翁·维约科,Gisella Anastasia
北极小迷狐吉娜尤克
Kina & Yuk : renards de la banquise / Kina & Yuk, réfugiés de la banquise / 北極小迷狐:吉娜&尤克(台)
掷硬币决定ONEOKROCK线上演唱会实录
森内贵宽,山下亨,小滨良太,神吉智也
反诈破局
袁昊,陆妍淇,王大奇,王屿,魏璐,李思博,张语格,林源,宋星翰,赖雨濛,郑中玉,张潮,戚九洲,刘哲珲,陈宇星
DTC温泉纯情篇fromHiGHLOW
山下健二郎,佐藤宽太,佐藤大树,八木将康,天野浩成,铃木伸之,笛木优子,新井美羽,骏河太郎,村川绘梨,小林且弥,广濑智纪,松田凌,西村一辉,西川俊介,水野胜,田中俊介,守屋光治,井泽勇贵,广冈由里子,村田雄浩,木村了,立木文彦
Healin#039Good♥光之美少女梦想的小镇心动不已GoGo大变身
Healin' Good ♥ 光之美少女 剧场版 / 映画 ヒーリングっど♥プリキュア
RacionaisMC#039s来自圣保罗街头的嘻哈传奇
Racionais MC's: From the Streets of São Paulo
白热AF的起与落
当年的潮人必备品!这部纪录片探索A&F在90年代后期及21世纪初所掀起的流行风潮,讲述该品牌如何凭借排他性而发展壮大
地狱老师
新地狱老师 / 灵异教师神眉 / Jigoku Sensei Nube
谋杀1930
谋杀者 / 凶手
BanGDream剧场Poppin#039Dream
バンドリ!Poppin'Party剧场版
读书喝酒
杰克逊·拉斯波恩,劳拉·戈麦斯,克拉拉·拉戈,赫克托·阿尼巴尔,纳什拉·博尔加特,Yasser Michelén,Carol Halstead,David Maler,Ruairi Rhodes,Pablo Lozano,Paula Ferry,Andrés Curbelo,Luis José Germán,Katherine Montes,Juan Maria Almonte
这位壮士
秦昊,文松,谢楠,冷中易,周晓飞,石头
命悬一线伦敦重症急救实录
从危急情况到手术室,这部纪录片剧集聚焦伦敦创伤中心,展现医护人员治疗重症伤患的全过程。
怪杰变错身
新化身博士 / 我变,我变,我变变变(台)
  • 片名:荣耀六十年
  • 状态:HD中字
  • 主演:Anna Neagle Anton Walbrook C. Aubrey Smith Walter Rilla 
  • 导演:Herbert Wilcox 
  • 年份:1938
  • 地区:英国
  • 类型:剧情 剧情片 电影 
  • 频道:内详
  • 上映:未知
  • 语言:英语
  • 更新:2025-07-07 19:54
  • 简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
视频
搜索历史
删除
热门搜索
本地记录 云端记录
登录账号